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Film is incredibly democratic and accessible, it’s probably the best option if you actually want to change the world, not just re-decorate it.



Cameras: Sony PXW FS7s (x2) with Raw & ProRes option pack plus Convergent Design 7Q+, Shogun Inferno and Blackmagic Video Assist monitor/recorders; Sony A6500 (SLog), Canon 5D Mk III & Atomos Ninja II recorder kit; plus GoPro Hero (x2) Black and accessories including waterproof housing; DJI Mavic Pro drone cam.

Lenses (zooms): Fujinon MK 18-55 and 50-135 Cine zooms; Canon L 16-35mm f4; Canon L 24-70mm f2.8 usm II; Canon L 70-200mm f4 and Tokina ATX Pro 11-16mm. (Primes): Canon 24mm f2.8; 50mm f1.4; 85mm f1.8 and Tokina 35mm f2.8; Sony 28-135 F4 & Sony G Lens 18-105 F4.
Accessories: Matte-box & 4″ ND filters; Tripods x 3; Mini Jib; Rhino-Slider motorised; Glide-cam HD-4000; shoulder mount; field monitors (x2); Mac Book Pro, Lacie external hdds.
Lighting:  Tungsten – Dedo lighting kit; Arrilite 800s; PAG light and Diva light; LED – LEDGO 600 BCLK, 3 point Aputure interview kit; Litepanels Croma; Ledgo E116C (x3);  Accessories – Gels; 6x3m and 6x9m white/black vinyl backdrops, light stands, etc.

Directional mics – Sennheiser MKH416 & Rode NTG 3;
Lav Mics – Sony ECM66B (x2) and ECM77B (x2);
Wireless Kits – Sony URX P2 and P3 inc. lavs;
ENG Mics – EV RE50B (x2);
On Cam – Rode VideoMic Pro X, NTG 2 & Audio Technica AT897; 

Studio Mic – Neumann TLM 102, Shure SM58 and Rode NT1 & NT2A;
Field Gear – Zoom F4 6 track recorder; Shure FP33 Field Mixer; Tascam DR-44WL stereo recorder; boom pole; XLR leads; various wind shields, etc.
Post Production: Mac Pro running Premiere Pro CC, Davinci Resolve 15 and FCPX / Motion; Photoshop; Pro Tools and Cubase 8.5 linked to Mackie mixer and 628 monitors with voice over processors, etc.


Director / Self-shooter / AP / Lighting Cameraman

Sound Recording
Full company, VAT and HMRC registration

Vehicle access and clean driving licence

Public Liability and Professional Indemnity Insurance arranged

DBS cleared

It is during our darkest moments that we must focus to see the light.


A good picture relies heavily on substantial lighting and its manipulation thereof. Clients can gain access to the suite of lighting equipment available to help assist with photography or videography projects. If it is lighting you require, skilled lighting and editing is available to produce a vivid professional look for clients.

Various Lighting Equipment available:
Arrilite 800s; 3 point Dedo lighting kit; Diva light; Litepanels Croma; Ledgo E116; PAG light; 3 point mini interview kit; Reflectors; Gels; 6x9m backdrops, lightstands, etc.

Any filmmaking, any film is a collaborative process. There’s always a lot of people working on things together.


Video Editing is available for existing projects, collaborations are welcomed and new projects are open for discussion. With a collection of the latest capable video editing software, video footage can be manipulated and fine tuned to cater for whatever look you require.

Post Production Tools and Software:
Mac Pro running Premiere Pro CC, Davinci Resolve 12.5, FCP X 3, Motion 5 and Studio Pro incl. FCP7;Photoshop; Pro Tools and Cubase 8.5 linked to Mackie 1640i mixer and 628  monitors with outboard.

I frequently hear music in the very heart of noise.


Vast selection of audio recording equipment available to clients, including mixers, wireless solutions, Studio Mic’s and Field Gear. Your sound recording requirements will be met with the latest technological innovations. Experience from a Sound Engineering background will assist in delivering some of the most crisp, detailed audio required to keep up with the competitive industry.

Equipment Includes:
Short gun mic – Sennheiser MKH416Rode NTG 3;
Lav Mics – Sony ECM66B and ECM77B;
Wireless Kits – Sony URX and  Sennheiser EW (x2) inc. lavs;
ENG Mic – EV RE50B (x2);
On Cam – Rode NTG 2 (x2); Audio Technica AT897;
Studio Mic – Neumann TLM 102, Shure SM58 and Rode NT1 & NT2A;
Field Gear – Zoom F4 Field Recorder, Shure FP33 Field Mixer;  Tascam DR-44WL recorder; boom pole; XLR leads; various wind shields, etc.

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.


With Sony and Canon mirrorless/DSLRs at the ready, stunning RAW photography is at your disposal under professional steady hands. Photo Editing is made possible using some of the latest Photo editing Software such as Adobe Premier CC Suite and Adobe Photoshop giving projects a well polished finish.

Equipment Includes:
Sony A7III / A6500
Canon 5DMK111
Lenses (Zooms): Canon L 16-35mm f4; Canon L 24-70mm f2.8 usm II; Canon L 70-200mm f4 and Tokina ATX Pro 11-16mm.
Lenses (Primes): Canon 24mm f2.8; 50mm f1.4; 85mm f1.8 and Tokina 35mm f2.8.

Why Choose Us?

Industry Experience

As video and photography content producers, our experience has enabled us to turn client ideas into complete productions with successful outcomes. We continuously strive for the best for the customer which means continuous development is a must for us.

No project to big, No project to small

No matter the size of your project, we have the network and equipment to deal with your project. From broadcast to corporate content, we will provide you with a service to suit your exact requirements.

Time is Key

We can work well to help your project meet its objectives and timescales. We aim to always provide a finished product within the time set by the client, and will always plan alongside the client to ensure that the expectations are realistic and achievable.